In reading Jenny Odell’s How To Do Nothing, I came across her discussion of the artist David Hockney’s ‘joiners’ in which he combined dozens or even hundreds of Polaroid photographs to explore the phenomenology of seeing. Hockney writes that we actually see ‘in discrete, separate glimpses, which we then build up into our continuous experience of the world.’ I agree with Odell who suggests that ‘something like collage is at the heart of the unstable and highly personal process of perception.’ The three videos I made for this week’s assignment use a sort of collage approach in an effort to capture ‘a living impression’ of the ecosystem here in Jackman, Maine, filtered through my own nostalgia and reverence for this wild place -- my effort to cultivate the bioregionalism that Odell encourages. From the overambitious stash of footage I accumulated (and had difficulty storing and transferring!) I found myself inevitably selecting clips more based on visual connections (and narrative potential) and less based on audio content. In many cases, my novice recording techniques just yielded a lot of ear-splitting wind sounds, which was disappointing -- something to consider more carefully going forward. Apologies, too, for uploading after the deadline. Posting to YouTube in my small town took more than three hours, an interesting and ironic test of my patience and willingness to slow down...
Saturday, July 11, 2020
week three: sound and vision
In reading Jenny Odell’s How To Do Nothing, I came across her discussion of the artist David Hockney’s ‘joiners’ in which he combined dozens or even hundreds of Polaroid photographs to explore the phenomenology of seeing. Hockney writes that we actually see ‘in discrete, separate glimpses, which we then build up into our continuous experience of the world.’ I agree with Odell who suggests that ‘something like collage is at the heart of the unstable and highly personal process of perception.’ The three videos I made for this week’s assignment use a sort of collage approach in an effort to capture ‘a living impression’ of the ecosystem here in Jackman, Maine, filtered through my own nostalgia and reverence for this wild place -- my effort to cultivate the bioregionalism that Odell encourages. From the overambitious stash of footage I accumulated (and had difficulty storing and transferring!) I found myself inevitably selecting clips more based on visual connections (and narrative potential) and less based on audio content. In many cases, my novice recording techniques just yielded a lot of ear-splitting wind sounds, which was disappointing -- something to consider more carefully going forward. Apologies, too, for uploading after the deadline. Posting to YouTube in my small town took more than three hours, an interesting and ironic test of my patience and willingness to slow down...
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Cathy bravo on the editing! you did a wonderful job, and I appreciate your patience and perserverance to get this cut and posted. It felt like mini film of your walk. I enjoyed the variety of footwear and barefeet! The opening and close were well considered bookends. Fun to watch, thank you.
ReplyDeleteCathy- Wow! Wonderful job piecing those all together. I think my favorite parts included the bridge (It was so meditative in a way and I feel as if you could have pointed the camera at the sky through the bridge and I would have enjoyed just watching the clouds through the "little view finders" it created.)
ReplyDeleteAlso, I love the ended where you see the back of your feet walking. It was so visually rich and appealing. Have you seen the artist Janine Antoni's tightrope?
Your work reminded me of this piece by her. Well done!
Wow indeed and what a rich experience you have made for the viewer. I so enjoyed the many moments of beautiful transition that you offered. The screen door coming into focus. The flowers under your feet. The reorienting upwards to the sky through the steel beams of the bridge. The diversity of your footwear or lack of. I want to watch this again.
ReplyDeleteHi Cathy, your writing really lays out the context for how you approached this assignment - I absolutely love the reference to Hockney joiners and the way that you launch the video. Your editing of video is sensitively done - I'm curious about how you created the collage and how long it took to make selections and then shape it the way you want? I find with my own work, I focus less than I would like on developing it, because I'm limited by my knowledge of the tools. Thanks for taking us back on the Attean Road walk that you introduced in Week 1 - it looks like a beautiful, restful place.
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